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The original purpose of the BBC interview was to promote her newly released single titled “Chemtrails Over the Country Club,” and the album that shares its name. With time and refinement, Lana Del Rey had mushroomed into what we called the next best American songwriter-emphasis on American. Marilyn Monroe, men in training yards, cherry pies, a Pleasantville middle-class, Coachella, violence-as-romance and romance-as-violence: she offered us a canon of heritage markers recast in ’10s-era drama and became the rare sort of talent that was able to congeal past and present into seductively conceptual cinema.
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Geographies-the Hollywood sign, the tri-state, California writ large-became mythological playgrounds for her to languor around and smoke Parliaments on.
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It was Xanadu, built from a blissful, degenerate, high-femme sort of jingoism. In 2011, she emerged as an aesthetic howitzer, exploding a broad but deeply personal index of iconography into her own nation of death-driven kitsch. The first is that, for the past decade, Lana has been an exceptional hunter-gatherer of white American arcana. But Lana’s monologue about the neuroses plaguing the United States was genuinely fascinating-for two reasons. With rare exception, the strange tradition of having celebrities act like talking heads on matters of national politics or domestic terrorism is both a largely pointless and joyless spectacle. In or out of context, this is an entirely fair analysis.
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They want to wild out somewhere! It’s like, we don’t know how to find the ways to be wild in our world….and at the same time, the world is so wild.” “For people who stormed the Capitol, it’s dissociated rage. “I actually think this is the most important thing I’ll say in this interview,” she underscored. Partway through clarifying how she felt Trump’s “sociopathy” may have unintentionally inspired the deadly siege, she cleared her throat to show her conviction. Capitol that had taken place six days earlier. Finally, her frisson found a foothold in the psychology behind the insurrection at the U.S. On live radio, the pop star parkoured from thoughts on Trump’s presidency to going to the farmer’s market barefoot to how she’d characterize at least half of her friends as jerks. I would like them to somehow be involved.On the morning of January 11th, as she ate a popsicle for breakfast with a newly broken arm, Lana Del Rey tumbled into nearly 40 somersaulting minutes of free-associative responses to questions from BBC Radio 1 presenter Annie Mac. She and her friends occasionally rock her infamous shimmering mesh mask and their perfect summer day gets an unexpected twist when a Wizard of Oz-like twister spins in to swoop up the singer and her convertible.Īlong with the preview of the “Dress” video, Del Rey also posted what appeared to be a vintage interview clip in which she talks about her aspirations for her always ambitious videos, saying, “I don’t know what I”m going for, but I do hope one day, I can work with somebody who actually knows how to make videos like John Waters or David Lynch. The vintage ’60s-style visual for the title track to the singer’s seventh album (due out on March 19) found Del Rey in a little red sports car driving to the country club to cool off by the pool with her pristine, pearl-wearing posse. Lana Del Rey Says 'The Madness of Trump Needed to Happen' For America to Uncover Its 'Greatest…